Strength of Character
Your hero isn't the only one who needs to be tough. Your villain, too, must have strong goals, motivations, and resources. If he's a pushover with laughable henchmen, your reader's going to know without doubt that he'll be beaten, and what fun is that? (In romance, we know it anyway, but we like when you make us forget that and sit on the edges of our seats.)
Give your villain as much attention as you do your hero. Arm him with powerful resources and a darn good reason to hate the hero. The resulting power struggle is what makes epic battles epic. The more powerful your villain, the harder your hero must fight to win, and the more gripping your story will be. Remember that a hero shines best against opposition that offers him the greatest test of his heroic qualities. So save some of that super-strength for your bad guys!
Thursday, March 13, 2008
Wednesday, March 05, 2008
The Villain's Journey #1
It's All About Me
The first thing you need to remember about villains is that they think your book is about their story and struggles. And, in a way, it is as much about your villain as it is about your hero and heroine. If you're going to have a bad guy (or girl!) in your story, it makes sense to have him as fleshed-out as your hero and heroine, with his own goal, motivation, and conflict. It's no contest fighting a cardboard villain, and no fun for the reader either. Yaaa-a-awn.
Remember that your villain believes he is in the right, and that's what makes him battle your hero so tenaciously. So spend time on his story, and what makes him tick. You don't have to agree with his goal, but it must make sense and be a solid one. Get into his head and find out why he does what he does. It helps to have planned out his story arc, even if the reader doesn't see it all on the pages. The more thought you put into your bad guy, the more of an obstacle he'll seem to the good guy. That makes for a great read.
The first thing you need to remember about villains is that they think your book is about their story and struggles. And, in a way, it is as much about your villain as it is about your hero and heroine. If you're going to have a bad guy (or girl!) in your story, it makes sense to have him as fleshed-out as your hero and heroine, with his own goal, motivation, and conflict. It's no contest fighting a cardboard villain, and no fun for the reader either. Yaaa-a-awn.
Remember that your villain believes he is in the right, and that's what makes him battle your hero so tenaciously. So spend time on his story, and what makes him tick. You don't have to agree with his goal, but it must make sense and be a solid one. Get into his head and find out why he does what he does. It helps to have planned out his story arc, even if the reader doesn't see it all on the pages. The more thought you put into your bad guy, the more of an obstacle he'll seem to the good guy. That makes for a great read.
Wednesday, February 27, 2008
The Hero's Journey #4
Creating a Hero - Healing The Flaw
In the real world, love can’t fix everything--but we eternally hopeful romance authors believe that love makes a person strong enough to deal with anything. That includes flaws, both real and fictional. Now that he’s known the love of his good woman, your hero will be able to heal, or at least come to terms with, the flaw that he started with in your book.
The end of a book is much more satisfying to the reader if she can see that your characters are in a better place now than where they began. In romance, you must guarantee the happy ending of your hero and heroine. That hopeful message is why we keep reading romances ... and why we keep writing them!
In the real world, love can’t fix everything--but we eternally hopeful romance authors believe that love makes a person strong enough to deal with anything. That includes flaws, both real and fictional. Now that he’s known the love of his good woman, your hero will be able to heal, or at least come to terms with, the flaw that he started with in your book.
The end of a book is much more satisfying to the reader if she can see that your characters are in a better place now than where they began. In romance, you must guarantee the happy ending of your hero and heroine. That hopeful message is why we keep reading romances ... and why we keep writing them!
Wednesday, February 20, 2008
The Hero's Journey #3
Creating a Hero - It Just Ain’t Enough
At some point on your hero’s journey--usually the turning point of your book--he’s going to realize that what he has now isn’t enough to satisfy him anymore. In romance, this means he becomes willing to forsake what went before, for the love of a good woman.
For instance, let’s say your hero is a hard-nosed guy who likes to party all night, and he believes that is enough to fill the social holes in his life. Then he meets Miss Right, and over the course of your novel he becomes more and more involved with her. Eventually, the dance club loses its shine, or the bar is too crowded, or he can’t stand his buddies at the Elks Lodge anymore.
This “not enough” point is what drives your hero to change, which sets things up nicely for your happy ending.
At some point on your hero’s journey--usually the turning point of your book--he’s going to realize that what he has now isn’t enough to satisfy him anymore. In romance, this means he becomes willing to forsake what went before, for the love of a good woman.
For instance, let’s say your hero is a hard-nosed guy who likes to party all night, and he believes that is enough to fill the social holes in his life. Then he meets Miss Right, and over the course of your novel he becomes more and more involved with her. Eventually, the dance club loses its shine, or the bar is too crowded, or he can’t stand his buddies at the Elks Lodge anymore.
This “not enough” point is what drives your hero to change, which sets things up nicely for your happy ending.
Wednesday, February 13, 2008
The Hero's Journey #2
Creating a Hero - Make Him Pay For It
Whatever your character gains, whether it be advantages or insights great and small, make him pay a price for them. The greater the prize, the greater the cost. When you up the stakes toward a hero’s gain, the end result becomes that much more important to your character ... and your reader. She’ll feel like she worked to win that advantage right beside him.
You’ve heard the saying that nothing in life is free. To make your novel as realistic as possible, keep that adage in the back of your mind as you write. Great rewards should come with great sacrifices, or they won’t seem worth the time it took to get them.
(BTW, Happy Valentine's Day - smooch your sweetie, or kick back with some chocolate and a romantic movie!)
Whatever your character gains, whether it be advantages or insights great and small, make him pay a price for them. The greater the prize, the greater the cost. When you up the stakes toward a hero’s gain, the end result becomes that much more important to your character ... and your reader. She’ll feel like she worked to win that advantage right beside him.
You’ve heard the saying that nothing in life is free. To make your novel as realistic as possible, keep that adage in the back of your mind as you write. Great rewards should come with great sacrifices, or they won’t seem worth the time it took to get them.
(BTW, Happy Valentine's Day - smooch your sweetie, or kick back with some chocolate and a romantic movie!)
Wednesday, February 06, 2008
The Hero's Journey #1
This month, I will discuss a few of the major points in a hero’s journey. These are the things that make a great hero great. While I address the hero in your novel, these things can also be applied to the heroine.
Creating a Hero - Make Him Fallible
Nobody likes Mr. Perfect. Your readers will want to read about someone who is flawed, human, and therefore, approachable. This is what the editors mean when they call a character “sympathetic.” He inspires us to care or identify with him in some way.
When your hero starts upon a journey that will forever change him, he needs to begin with a serious flaw that in some way impedes his ability to connect with your heroine. For maximum conflict, this flaw may contrast directly with your heroine’s goals and/or ideals. A hero with a flaw has the room to grow and change over the course of your novel. Your reader will keep reading to see if, and how, he overcomes his flaws.
Creating a Hero - Make Him Fallible
Nobody likes Mr. Perfect. Your readers will want to read about someone who is flawed, human, and therefore, approachable. This is what the editors mean when they call a character “sympathetic.” He inspires us to care or identify with him in some way.
When your hero starts upon a journey that will forever change him, he needs to begin with a serious flaw that in some way impedes his ability to connect with your heroine. For maximum conflict, this flaw may contrast directly with your heroine’s goals and/or ideals. A hero with a flaw has the room to grow and change over the course of your novel. Your reader will keep reading to see if, and how, he overcomes his flaws.
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