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Showing posts with label agents and editors. Show all posts
Showing posts with label agents and editors. Show all posts

Monday, July 15, 2024

Playing by the Rules: Why Word Count Matters

 

Learning the Ropes…Before You Cut Them

While scrolling Facebook with my daily coffee, I noticed today one post from a new, unpublished author asking whether their 200K-word novel would be read/accepted by publishers. While this novel was in a genre that often supports high word counts, even this is high for an unknown author and their first novel. The poster in question refused to listen to sound advice, of which there was plenty from several different responders.

This wasn’t a case of piling on. It was good commentary, in detail, from several experienced authors and editors in the industry. The poster was obviously proud of their work, but they would not take into account suggestions that went against what they had clearly already decided to do. That, sadly, is probably going to lead to their work not getting published and/or purchased, and I know how that hurts for an author who’s excited to see their book in print.

Then Again, Maybe They’re Right

Here’s the thing. Word count conventions (and for that matter, other agent and editor submission guidelines) exist for a reason. The professionals know what sells and at what parameters. Flouting these guidelines in your query letter will get you a rejection every time. Agents and editors get so many submissions, they’re all but looking for a reason to reject your work. They simply don’t have the time to coach you on your craft or submission process. Don’t give them a reason to reject you. Follow the guidelines closely. It’s an easy hurdle to remove from your goal.

If several unrelated people make the same unrelated comment about your work, there’s probably some truth to it. We don’t like to see our babies maligned, but as authors, we need to be a little bit mercenary when we switch from author to marketer. Ask yourself these questions about your manuscript:

1) Does it meet guidelines?

2) Is it professionally edited and technically sound (e.g., the plot makes sense with a beginning, middle, and end)?

3) Does it have a high concept and a hook?

These are the things over which you have control. Don’t throw them away and risk your manuscript getting rejected.

Can’t I Just Self-Publish?

Sure you can. Self-publishing opens up a lot of doors for out-of-the-box manuscripts, whether they are an unusual genre or concept, or you want to do all the work yourself. But remember this: Indie publishing is not a replacement for industry guidelines. Just because you can sidestep the norms doesn’t mean you should. You still need a well-edited manuscript with a great cover and sound plot, with consideration to the guidelines of most publishers. If you don’t offer the reader good editing and a good plot in return for their hard-earned money, they might not pick up your next book (or they’ll give a bad review to this one). Also, the guidelines help publishers (which is now you, indie author) place the book in appropriate categories so it can be found or shelved correctly. If an outlet can’t figure out where to place your book, it’s not likely to sell well.

Word Count

In the case of word count, you certainly could self-publish your opus, but that won’t guarantee you sales even if you advertise. The longer the print book, the higher your list price. Unless you plan to sell it at cost, you’re going to get a lot of readers turning away from your book to another, cheaper one. Consider that the current average for a 100K-word print book is $15.99. Are you going to price your print book at $31.98 and see sales? Probably not many, especially for an unknown author. Even a 200K-word ebook might be pricier because longer books and larger files might charge a delivery fee to the reader.

Fast-Food Society

We are living faster and faster in the Internet age. We have gotten used to instant gratification: click a button, order a meal. Click another button, and there’s a whole season of that new crime drama to binge. Click yet another button and get something delivered to your door. The fact that we have so much data at our fingertips means our attention is constantly divided among multiple tasks. The majority of people (and you want to sell to as many people as possible, don’t you?) don’t have time to sit down and read epic-length novels anymore. It may be sacrilege to say, but I wonder whether J.R.R. Tolkien would have had such success now with the Lord of the Rings trilogy as he had when it was originally published. Even then, the publisher broke it into the three segments we know today.

Word counts are trending shorter, in line with people’s shortening attention spans. Why let your book be lost in a sea of bite-sized entertainment when you could profit from breaking that beastie into multiple stories and have your own, ready-made series? Readers love series, and your shorter individual books will be faster reads while delivering a satisfying overall arc to the reader.

Play Nice, Get Published

In short, it’s best for new authors to do everything by the book—pun intended. The only authors who can successfully break tradition are NYT bestsellers, because they already have an audience and the clout to sell. We lesser-known authors need to know how to kick that ball to get it to the goal. Game on!

Monday, February 13, 2023

Staying Safe in the Writing World

 

Play It Safe, Writer

We all know the basic tenets of staying safe: don't go down the dark alley, don't flash your money around in a crowd, keep an eye on your drink at the bar.

Writers have their own set of caveats. In a world where people tend to take advantage of dewy-eyed authors with big dreams, it's best to become as knowledgeable as possible about potential pitfalls. Fortunately, there are many resources available to the new author in order to get savvy and stop those pitfalls in their ... pits.

Read It!

First things first: read everything you can about publishing in general, and about your chosen genre(s) in particular, starting with books. Here, you'll find your most reliable education about the industry standards. Cross-check these references against the reviews of published authors who have used the material. (I find particular help in the writings of Joanna Penn, who is a savvy author and author educator with lots of good tips.) When I started out, I got a lot of use out of The Street Smart Writer by Jenna Glatzer (although I do wish she'd update it).

Surf It!

Online sources are useful for up-to-date information, but be judicious about believing everything you read or see on social media sites such as Facebook, Instagram, or TikTok. Vet the sources of what you read against other sources of information about a given publisher. Established websites like SFWA's Writer Beware or Absolute Write Water Cooler are usually reliable sources of information.

Talk It Out

Finally, get friendly with other authors in your chosen genres. If possible, join a physical or online writer's group with an established history, such as Romance Writers of America or Society of Children's Book Writers and Illustrators. These organizations are excellent at helping new authors learn the ropes of the industry, and often have classes and conferences where you can learn more online or in person. (RWA helped me quite a bit when I started out.) You will meet people at these organizations who can help you through the twists and turns as you grow in your career, and often those people become lifelong friends. (That helps you feel less alone in a very solitary profession!)

Getting (or Making) the Deal

When and if you're ready to find an agent to represent your work, check the reputation of your potential agent by asking around. You can also see if they're registered with The Association of American Literary Agents and look into their track record.

If you want to try your hand at indie publishing, it's especially important to do your homework prior to signing any contracts (paying special attention to what rights you're signing over and the duration of the contract). Never let your heart make the decisions for you, or you may find yourself signing away rights and royalties you didn't expect. When in doubt, ask around!

I wish you the very best of luck in your career and hope this information helps you on the road to publication. Happy writing!

Monday, June 05, 2017

Exciting News: Contracts Signed for Audiobooks!


Hey, Gang! I'm super-excited to announce that I've signed contracts to offer all of my current releases as audiobooks! My publisher, The Wild Rose Press, has just begun offering this option for its authors, and many of us have decided to take the leap.

What does this mean for you?

Audiobook recording is a waiting game. I have signed the contracts, but that doesn't guarantee audiobook releases anytime soon (or at all). It simply means that I have signed over the rights to this format, and my publisher will put out a call for narrators for each book. If one of my books is picked up, we then decide on the narrator, and the book will go to audio. I really, really hope they get picked up. Audiobooks would almost be as cool as having them turned into movies! 😄

What's so great about audiobooks?

If you've ever been on a long trip, you already know how great they are! An audiobook provides hours of entertainment, and playing an audiobook through your car stereo is terrific on those long vacation rides. My family travels a fair bit in the summer, and we've listened to some new authors this way. There are audiobooks for every fan of stories, so you're sure to find one you like. (And if you, like me, are a fan of your local library, Overdrive offers audiobooks as well as e-format books and periodicals to borrow for free, as long as it's in their catalog. How can you go wrong when it's free? We listened to Tui T. Sutherland's Wings of Fire, Book One: The Dragonet Prophecy on our way to Letchworth State Park this spring! My son is a fan of dragons, and we all really enjoyed it!)

I'm thrilled to be offering my books in audio, and I hope to have further news for you soon. Until then, Happy Reading!

Monday, July 28, 2014

More News From Lobster Cove

More exciting news from the Lobster Cove series by The Wild Rose Press! This week, we have the cover of Carol Henry's full-length romance, JUELLE'S LEGACY.


We were also informed that the first of the Lobster Cove books will be arriving as early as August - so it's going to be a fabulous summer for beach books! More news as it comes ....  Until then, happy summer, and Happy Reading!

EDIT 8/3/14: JUELLE'S LEGACY arrives TOMORROW, Monday August 4th! To celebrate this awesome release, The Wild Rose Press is giving away one $25.00 Red Lobster Gift Certificate and one $50 gift certificate to The Wild Rose Press! Enter here:

The Wild Rose Press Lobster Cove Giveaway

Tuesday, July 15, 2014

Lobster Cove is Growing!

The Wild Rose Press series, Lobster Cove, is coming together. We have been treated this week to the first of the cover reveals.  The first is ANOTHER MAN'S SON, a romantic suspense by Glenys O'Connell:


The second is CATCH ME IF YOU CAN, a romantic suspense by Mitzi Pool Bridges:

 

I can't wait for you to meet the characters in this town.  The authors have all worked hard, and written such amazing stuff.  We should see some release dates soon, and I'll be sure to keep you posted!

Sunday, March 02, 2014

CNYRW Meeting With Rhonda Penders of The Wild Rose Press


Yesterday was a terrific day for me, as a writer.  I knew it was going to be terrific because the fabulous Rhonda Penders, Editor-in-Chief of my publisher, The Wild Rose Press, was presenting at the March meeting of the CNY Romance Writers.

About The Wild Rose Press

The Wild Rose Press opened for business in 2006 as a for-authors, by-authors house, and to this day, they honor that association.  They are known throughout the publishing industry as a "kinder, gentler publishing house."  They are honest but kind about their editorial reviews, and you will never, never get a form letter from them.  Even if your manuscript is rejected, you will receive a detailed letter explaining your work's sticking points - and often, the things the editor liked.  Having been an editor for two amazing years for this house before going freelance, I can say that with confidence ... because I am a very, very wordy editor who likes to tell authors why something worked, or it didn't.  In detail.  They still do that.

To date, TWRP has 1600 stories available, from authors all over the globe.  While primarily a publisher of romance fiction, TWRP has recently opened its doors to works in other genres, including women's fiction, mystery or thriller, historical fiction, and erotica.  If you write in one of these genres, I highly recommend submitting to TWRP ... and not just because I currently write for them.  They have been voted for the fifth straight year as "Best Publisher" in the Preditors & Editors Poll, because their authors believe in them so strongly.

Tips From Rhonda

Rhonda recommends having a second set of eyes take a look through your manuscript to get it in its best shape before submitting it to anyone.  Too many manuscripts cross an editor's desk as "good," but not great, because they haven't been polished enough before submission.

She also advises that the most successful authors are the ones who are active self-promoters - visible online, at conferences, at book signings, and at workshops.  Never pass up an opportunity to promote your work.  Blog tours and group promotions like signings with fellow authors can be cost-effective marketing tools.

Also key in an author's success is her broad base of inventory.  That means you have a lot of works out there, in several genres or subgenres, in varying lengths and at various houses (Yes, she did say "Go write for other houses."  Rhonda is very honest, even when it may not benefit her own house.).

Open Doors

Rhonda is very vocal about TWRP's "open door" policy.  When you are signed with The Wild Rose Press, you are free to bring your concerns right to the top of the food chain if you feel you're not getting the information or answers you need.  Rhonda will either respond herself to your concern, or get you to the person who can find the answers you need.  I have had very good dialogue with Rhonda whenever I've had a concern.  Even if she can't do what I'm asking, she has been very transparent about her reasons.  These days, that's a tall order for a publishing house.

I'm proud to say I'm an author for The Wild Rose Press, not just because of the good times, but because they have been fast and conscientious with me when I have had problems.

And that's why I keep coming back to them.

Sunday, September 18, 2011

Literary Agent Chelsea Gilmore!

A Chat With Chelsea

Yesterday at the CNY Romance Writers meeting, we were treated to a chat with literary agent Chelsea Gilmore of the Maria Carvainis Agency. Chelsea presented an information-packed Q&A with our authors that ran the gambit from the world of self-publishing (no longer the stigma that it used to be) to the future of the industry (still unfolding, but we were assured that there will always be a place for good stories, and agents will always be there to promote us).

The first thing that struck me about Chelsea is her willingness to encourage a potential client. She opened the conversation by saying "We wouldn't be here without you." Chelsea firmly believes that her job wouldn't exist if it were not for writers, and she goes that extra mile to help her clients, whether it be career guidance, editorial feedback, or simply the knowledge that there's a cheerleader in their corner.

Love You, Love Your Writing ... And She Will Too

Chelsea told us that "ego" is important in the world of publishing. She likes it when her authors know their story is good. We need to love our work, she said, because that enthusiasm shows when we're pitching. (And there's no need to get intimidated by the pitch. Pick a few things that stand out in your book and talk about those! She wants to hear what excites you about your work.) She advised us that if an agent turns us down, that it may be a very good thing. After all, if your agent doesn't absolutely love your work, why would you want them to represent it?

Chelsea also shows a wonderfully supportive attitude toward the writers she doesn't sign. She is willing to work with an author whose story has potential, but isn't quite "there" yet. She will often provide some commentary on manuscripts she decides not to accept. If your manuscript isn't right for her, she's willing to explain why.

If she does sign you, she will champion your work as well as your artistic vision. If an editor asks for changes to your manuscript, she will help you ensure that those changes are for the better of your story (and your intent with it) before making them.

Looking For A Few Good Manuscripts

Chelsea looks for cleanly written stories with strong voices. Humor is a bonus! She likes new takes on old stories, and well-written characters are a must. She accepts the following genres: young adult, romance, women's fiction, literary fiction, mysteries (including cozies), commercial thrillers, pop culture, or historical fiction. She does not accept science fiction, children's picture books, or inspirationals.

Chelsea prefers paper submissions including a query letter (don't forget to include your word count), a two- to three-page synopsis, and either the first thirty pages or three chapters of your manuscript, whichever is longer. Previously published work is accepted, as long as the author has received his or her rights back. Submissions should be directed to:

Maria Carvainis Agency, Inc.
Attn: Chelsea Gilmore
1270 Avenue of the Americas
New York, NY 10020

Thank you so much to Chelsea for coming to the CNY Romance Writers meeting and sharing your insight with us!


Wednesday, January 21, 2009

I Have Left Book Cents Literary Agency

A couple of things this morning. First, after discussing the issue with Christine Witthohn of Book Cents Literary Agency, she and I have decided not to work together any longer. This was a mutual, amicable decision and I will be shopping the Gifted series elsewhere.

Second, my main website was down this morning. I know that the domain host has changed hands, and that has something to do with it, I am sure. It is back up and running now, but feel free to email me with questions or difficulties navigating it.

Thanks for your patience!

Wednesday, December 19, 2007

I Have An Agent!

I'm pausing the website discussion today to announce that I have an agent! I have decided to work with Christine Witthohn of Book Cents Literary Agency. I met with Christine at the New Jersey Romance Writers' Conference in October, and she is as wonderful in person as I had heard from fellow writers. Christine loves her clients, and I can tell she's the sort who will really get behind her authors' work. We discussed my books, and she has already formed ideas about what houses will be a good fit for my writing. I'm looking forward to working with her.

That said, I suppose I now have to get my website up and running. I have already prepared a website, with the intention to publish it once I got an agent, so it looks like the time has arrived. Look for my website soon, and have a very Happy Holiday!

Friday, June 30, 2006

Agents

A lot of writers ask whether it's useful to get an agent. The final answer has to be up to you, but there is one basic question: Do you have the time to shop your book around, or is it more important to you to use what free time you have in writing? This is especially important for those who have a "day job" in addition to their fledgling writing careers. You can't spend all your precious free time researching the right target publishers and sending out submissions ... and still get your writing done.

Agents, at least in the romance genre in the U.S., generally take a 15% commission on domestic sales, and 20% on foreign or subsidiary rights. You should never pay an upfront fee to an agent. They receive their payment only after you have made a sale. Usually, the agent receives the check directly from the publishers, takes his/her cut, and passes the remainder on to you over a time frame specified in your contract. Sometimes, an agent will charge for copying, postage, and other office costs (also outlined in the contract), but should never charge a reading fee.

Agents know the market. They are more likely to know the best home for your book, and will usually have a good relationship with the editors at many publishing houses. A good agent will be consistent in his/her efforts to market your book, and keep you updated on its progress. An agent can be (and ideally, should be) your biggest cheerleader - as excited about your work as you are.

You can submit directly to editors, and sell without an agent, but an agent will help your work bypass the slush pile and get it in front of an editor sooner. An agent can also act as your coach, advising you on aspects of your work that may need to be changed or improved to make the work more saleable. He or she can help you plan your career and make the most of your talents.

Agents do this and more. That's a lot of work, and you might be glad to have an extra person on your writing team to handle it. But the writing part is up to you, so be sure you still have time for it even if you go agent-free. For more information, including a list of questions to ask prospective agents, see the Association of
Authors' Representatives, Inc.